A chopper is a type of custom motorcycle which emerged in California in the late 1950s. The chopper is perhaps the most extreme of all custom styles, often using radically modified steering angles and lengthened forks for a stretched-out appearance. They can be built from an original motorcycle which is modified ("chopped") or built from scratch. Some of the characteristic features of choppers are long front ends with extended forks often coupled with an increased rake angle, hardtail frames (frames without rear suspension), very tall "ape hanger" or very short "drag" handlebars,[1] lengthened or stretched frames, and larger than stock front wheels. The "sissy bar", a set of tubes that connect the rear fender with the frame, and which are often extended several feet high, is a signature feature on many choppers.
Rockabilly adalah salah satu gaya paling awal dan paling berpengaruh dalam musik rock n' roll yang muncul pada tahun 1950-an. Elvis Presley adalah bintang rockabilly yang paling terkenal. upun hanya berlangsung singkat selama tahun 1950-an, gaya bermusik rockabilly berpengaruh besar terhadap musik rock dan budaya populer. Pada akhir tahun 1970-an dan awal 1980-an, rockabilly bangkit kembali dan bertahan sebagai sub-budaya hingga sekarang.
Hubungan erat antara musik blues dan musik country bisa ditelusur sejak dari rekaman lagu-lagu country tahun 1920-an. Julukan untuk bintang musik country Jimmie Rodgers adalah blue yodeler atau penyuara yodel bergaya blues. Lagu-lagu hit dari Jimmie Rodgers banyak yang berirama blues, walaupun aransemen dan warna musiknya berbeda dari penyanyi blues kontemporer seperti Blind Lemon Jefferson dan Bessie Smith.[1]
Di sepanjang dekade 1930-an dan 1940-an lahir dua warna musik baru, western swing dan hillbilly boogie. Grup musik Bob Wills and his Texas Playboys merupakan bintang laris dari genre musik western swing yang memadukan cara bernyanyi musik country, teknik steel guitar, dan grup big band berirama jazz. Setelah Amerika Serikat dilanda demam boogie-woogie pada tahun 1940-an, penyanyi country seperti Moon Mullican, Delmore Brothers, Tennessee Ernie Ford, dan Maddox Brothers and Rose mulai merekam lagu-lagu dalam warna musik baru yang dikenal sebagai hillbilly boogie. Mereka memadukan gaya bernyanyi dan lirik musik country yang sederhana dengan ritme bass berirama boogie.[2]
Bill Monroe adalah perintis irama musik bluegrass yang merupakan gaya baru musik country yang terdengar sangat konservatif. Lagu-lagu Bill Monroe banyak yang berirama blues, dan sebagian lagi berirama folk balada atau lagu irama musik parlor. Earl Scruggs adalah pemain banjo grup musik pimpinan Bill Monroe yang memperkenalkan petikan banjo yang cepat, sehingga musik yang dihasilkan menjadi bersemangat dan penuh energi.[3] Tempo yang cepat juga merupakan ciri khas rockabilly ditambah pameran keterampilan memainkan alat musik.
Di awal tahun 1950-an, Hank Williams dan Lefty Frizzell yang bergaya musik honky tonk merajai lagu-lagu yang diputar di jukebox. Tema lagu-lagunya kebanyakan tentang pesta, putus cinta, dan ketidakadilan dalam hidup. Musik seperti ini cocok untuk kalangan pekerja yang senang berkumpul di bar untuk melewatkan malam minggu dengan minum-minum, mencari pacar atau teman berkelahi. Suasana meriah seperti ini ternyata lebih pas lagi kalau mendengar musik berirama rockabilly yang memiliki ritme lebih cepat dan lirik berisi luapan emosi secara terang-terangan. Era Hank Williams tidak berlangsung lama karena sang bintang tewas akibat kecelakaan lalu lintas di malam tahun baru 1953. Kecelakaan ini terjadi beberapa bulan sebelum Elvis Presley memulai rekaman di studio Sun.[4]
Elvis Presley tampil memadukan citra generasi pemberontak ditambah gaya liar dalam bermusik Hank Williams dengan karisma remaja James Dean. Wajah tampan, pertunjukan seksi penuh skandal, dan musik yang inovatif menjadikan Elvis sebagai idola baru di kalangan remaja. Musik rockabilly disukai remaja karena lekat dengan citra pemberontak, seksualitas, dan kebebasan dari belenggu formalitas yang diciptakan orang tua dan tokoh masyarakat. Elvis Presley dan genre rockabilly merupakan perintis gaya rock n' roll yang secara khusus dimainkan orang berkulit putih, dan sekaligus menyalakan revolusi budaya yang dampaknya masih terasa hingga sekarang.[5][1]
Pada 12 April 1954, Bill Haley masuk studio di New York untuk merekam "(We're Gonna) Rock Around the Clock" dalam versi yang lebih berisik dari versi irama country yang pernah dicoba sebelumnya.[6] Bill Haley sebenarnya sudah merekam lagu-lagu berirama rockabilly tiga bulan lebih awal dari Elvis, tetapi kalah terkenal. Sehubungan hal ini, penulis dari lembaga Rockabilly Hall of Fame, Alex Fraser-Harrison mengatakan bahwa Elvis didukung staf yang lebih baik dalam soal hubungan masyarakat.[7] Sambutan terhadap lagu "Rock Around the Clock" mulanya cuma biasa-biasa saja, tetapi segera menduduki puncak tangga lagu di seluruh dunia setelah dijadikan lagu tema film Blackboard Jungle.[6]
Kelahiran rockabilly[sunting | sunting sumber]
Sam Phillips adalah seorang pemilik label rekaman independen bernama Sun Records di Memphis, Tennessee. Selama beberapa tahun, pengalaman Sam Phillips terbatas pada merekam dan mengedarkan musik yang dibuat pemusik blues dan country lokal. Selain itu, studio rekaman miliknya disewakan kepada orang yang kebetulan lewat dan kebetulan ingin membuat rekaman musik sebagai kenang-kenangan. Salah satu orang lewat dan ingin merekam suaranya adalah Elvis Presley. Sam Phillips pernah berkata, "Kalau saja aku dapat menemukan penyanyi berkulit putih dengan suara dan kepekaan orang berkulit hitam, aku bisa untung satu juta dolar."[8] Dalam diri Elvis, Sam Phillips menemukan segalanya yang ia cari.
Elvis dipasangkan dengan musisi band lokal berirama country, gitaris Scotty Moore dan pemain bas Bill Black. Trio ini berlatih memainkan lusinan lagu, mulai dari musik countrytulen, lagu-lagu hit Dean Martin, hingga lagu musik gospel. Pada 5 Juli 1954, mereka merasa jenuh karena terus menerus rekaman di studio Sun dan memutuskan untuk mengambil waktu istirahat. Elvis menghibur diri dengan memainkan lagu lama berirama blues yang segera diikuti Scotty dan Bill. Sam terkesan mendengar blues yang mereka mainkan dan meminta agar lagu diulang dari awal. Lagu bersejarah tersebut adalah "That’s All Right" yang direkam dan diedarkan sebagai singel pertama Elvis pada 19 Juli 1954.
Warna musik "That's All Right" betul-betul baru, walaupun Elvis hanya menggabungkan unsur-unsur yang sudah dikenal sebelumnya. Pemusik Carl Perkins menyebut rockabilly sebagai "irama blues dengan beat country." Lagu "That's All Right" memang lagu blues yang dimainkan dengan tempo bluegrass yang cepat. Permainan bas Bill Black yang lincah dan gitar lead yang penuh perasaan dari Scotty Moore menjadi ciri khas lagu ini. Ditambah jangkauan vokal Elvis yang luas, lagu ini sangat digemari remaja waktu itu yang sedang mengidam-idamkan kebebasan. Selanjutnya, Elvis kembali masuk rekaman, kali ini dengan lagu berirama bluegrass, "Blue Moon of Kentucky" yang dibawakannya dengan gaya yang sama.[1]
Lagu "Blue Moon of Kentucky" langsung disukai pendengar setelah diputar stasiun-stasiun radio di kawasan Memphis. Setelah masuk tangga lagu lokal, lagu ini mulai diputar di berbagai stasiun radio di daerah Selatan. Pendengar ternyata tidak bisa mengenali warna kulit penyanyi lagu "Blue Moon of Kentucky" hanya dari mendengar suaranya saja. Penggemar terbesar lagu ini ternyata datang dari pendengar stasiun radio berirama country. Pada waktu itu, orang masih belum tahu bagaimana harus menyebut nama jenis musik ini. Elvis menyebut musiknya sebagai The Hilbilly Cat dan King of Western Bop. Nama "rockabilly" diperkenalkan kemudian dan ternyata terus melekat hingga sekarang. Hingga pada tahun berikutnya, Elvis masih merekam 4 buah singel lagi untuk studio Sun. Semuanya direkam Elvis dengan resep yang sama, campuran blues dan country. Lagu-lagu Elvis menjadi standar gaya rockabilly dengan ciri khas berupa "tempo tinggi" dengan betotan bas, petikan gitar penuh perasaan, permainan gema, dan sering meneriakkan "Go man go". Ciri khas lain adalah vokal yang sangat emosional dan energetik, seperti orang tersedak atau gagap bernyanyi, atau suara yang terjun dari falseto ke bass dan sebaliknya.[9] [10]
Pemusik rockabilly terkenal[sunting | sunting sumber]
Setelah Elvis Presley menjadi sangat terkenal, perusahaan rekaman Sun menjual kontrak dengan Elvis kepada RCA Victor seharga AS$40 ribu. Uang tersebut dipakai Sam Phillips untuk melakukan perluasan dan renovasi studio rekaman. Dari studio Sun kemudian lahir bintang-bintang seperti:
- Penyanyi dari label rekaman Sun yang berhasil meraih penjualan di atas satu juta kopi dengan lagu "Blue Suede Shoes". Karier Carl dan band pengiringnya hancur bersama kecelakaan lalu lintas ketika sedang menuju New York untuk tampil di televisi. Sewaktu Carl dan rekan sedang dirawat berbulan-bulan di rumah sakit, "Blue Suede Shoes" melejit di tangga lagu dan turun lagi secara pelan-pelan. Carl Perkins berhasil sembuh, namun tidak lagi pernah berhasil menciptakan lagu hit.
- Jerry Lee Lewis alias "The Killer"
- Jerry perlu menjual semua telur-telur dari peternakan ayam milik ayahnya di Ferriday, Louisiana supaya bisa ikut audisi di studio Sun. Warna permainan piano Jerry Lee Lewis sangat unik dan aksi panggungnya sangat keterlaluan. Setelah menjual rekaman sebanyak 4 juta kopi, Jerry diasingkan para penggemar karena menikahi keponakannya sendiri yang berusia 13 tahun.
- Penyanyi ini memulai karier sebagai penyanyi rockabilly di studio Sun, walaupun nantinya lebih dikenal dengan lagu-lagu ballad produksi Monument Records pada awal tahun 1960-an.
- Pesaing Elvis sang raja rock n' roll, Johnny Cash sering disebut "pangeran rockabilly". Musik Johnny Cash terkenal sederhana dan mudah dimengerti banyak orang. Salah satu lagunya yang menjadi klasik adalah "Folsom Prison Blues".
Selain bintang rockabilly asal studio Sun masih banyak lagi penyanyi rockabilly lain yang berhasil menciptakan lagu hit, dan menjadi panutan pemusik rock generasi berikutnya. Beberapa di antaranya tewas di usia muda.
- Buddy Holly asal Lubbock, Texas
- Buddy Holly adalah penulis lagu sekaligus gitaris berbakat, dan vokalis yang unik. Sebagian besar lagu-lagunya yang menjadi hit adalah hasil ciptaan sendiri, misalnya "That'll Be the Day" dan "Peggy Sue". Buddy Holly tewas dalam kecelakaan pesawat tahun 1959, tetapi rekamannya terus populer (terutama di Inggris), dan menjadi inspirasi bagi pemusik lain.[11]
- Johnny Burnette dan Rock‘N’ Roll Trio asal Memphis
- Ketika Elvis sudah mulai populer, Johnny Burnette dan rekan-rekan sebaya berhasil masuk dalam acara televisi pencari bakat, "Original Amateur Hour" yang dipandu Ted Mack. Rekaman Johnny Burnette yang berirama rockabilly ternyata tidak ada yang sukses. Burnette justru sukses dengan lagu-lagu pop seperti "You're Sixteen" dengan target remaja belasan tahun. Burnette tewas tenggelam sewaktu kapal kecilnya ditabrak kapal lain pada tahun 1964.[12]
- Kostum kulit berwarna serba hitam, lagu-lagu bertema seks, dan hal-hal berbau bahaya menjadikan Gene Vincent sebagai moyang penampilan para rocker. Anggota band pengiringnya, the Blue Caps juga terdiri dari pemusik berbakat. Setelah mencatat penjualan di atas 1 juta kopi di AS dengan "Be-Bop-A-Lula" dan "Woman Love", kepopulerannya memudar. Di Eropa, Vincent terus populer hingga meninggal akibat sakit lambung pada tahun 1971.[13]
- Seperti halnya Chuck Berry, lagu-lagu Eddie Cochran mengangkat pengalaman masa remaja secara jenaka. Eddie adalah gitaris sekaligus penulis lagu berbakat dengan lagu-lagu hit seperti "Summertime Blues", "C’mon Everybody", "Sittin’in the Balcony", dan "Something Else".[13] Pada tahun 1960, Eddie mencatat sukses dalam tur bersama Gene Vincent di Inggris, tetapi mengalami kecelakaan dan tewas sewaktu menuju bandar udara hendak pulang ke Amerika.[13]
- Lusinan lagu Rick Nelson menjadi hit pada akhir tahun 1950-an dan awal tahun 1960-an. Lagu "Hello Mary Lou", "Lonesome Town", "Travelin' Man", dan "Poor Little Fool" dikerjakan Rick Nelson bersama pemusik aliran rockabilly ternama seperti Johnny Burnette dan James Burton. Setelah tahun 1964, Rick Nelson hanya berhasil mencetak dua lagu hit, namun terus berusaha memenangkan hati penggemar di dua dekade selanjutnya. Rick Nelson tewas dalam kecelakaan pesawat pada tahun 1985.[14]
Aliran rockabilly tidak selalu didominasi pria. Wanita penyanyi rockabilly seperti Wanda Jackson, Janis Martin, Jo Ann Campbell, dan Alys Lesley sempat mencatat hit kecil-kecilan dan melakukan tur. Walaupun demikian, lagu-lagu mereka tidaklah sepopuler penyanyi rockabilly pria. Pengaruh wanita penyanyi rockabilly pada masa itu nantinya baru terasa berpuluh-puluh tahun kemudian ketika Becky Hobbs, Rosie Flores, dan Kim Lenz membangkitkan kembali rockabilly.
https://id.wikipedia.org/wiki/Rockabilly
Regret
by Guy de Maupassant
Monsieur Saval, who was called in Mantes "Father Saval," had just risen from bed. He was weeping. It was a dull autumn day; the leaves were falling. They fell slowly in the rain, like a heavier and slower rain. M. Saval was not in good spirits. He walked from the fireplace to the window, and from the window to the fireplace. Life has its sombre days. It would no longer have any but sombre days for him, for he had reached the age of sixty-two. He is alone, an old bachelor, with nobody about him. How sad it is to die alone, all alone, without any one who is devoted to you!
He pondered over his life, so barren, so empty. He recalled former days, the days of his childhood, the home, the house of his parents; his college days, his follies; the time he studied law in Paris, his father's illness, his death. He then returned to live with his mother. They lived together very quietly, and desired nothing more. At last the mother died. How sad life is! He lived alone since then, and now, in his turn, he, too, will soon be dead. He will disappear, and that will be the end. There will be no more of Paul Saval upon the earth. What a frightful thing! Other people will love, will laugh. Yes, people will go on amusing themselves, and he will no longer exist! Is it not strange that people can laugh, amuse themselves, be joyful under that eternal certainty of death? If this death were only probable, one could then have hope; but no, it is inevitable, as inevitable as that night follows the day.
If, however, his life had been full! If he had done something; if he had had adventures, great pleasures, success, satisfaction of some kind or another. But no, nothing. He had done nothing, nothing but rise from bed, eat, at the same hours, and go to bed again. And he had gone on like that to the age of sixty-two years. He had not even taken unto himself a wife, as other men do. Why? Yes, why was it that he had not married? He might have done so, for he possessed considerable means. Had he lacked an opportunity? Perhaps! But one can create opportunities. He was indifferent; that was all. Indifference had been his greatest drawback, his defect, his vice. How many men wreck their lives through indifference! It is so difficult for some natures to get out of bed, to move about, to take long walks, to speak, to study any question.
He had not even been loved. No woman had reposed on his bosom, in a complete abandon of love. He knew nothing of the delicious anguish of expectation, the divine vibration of a hand in yours, of the ecstasy of triumphant passion.
What superhuman happiness must overflow your heart, when lips encounter lips for the first time, when the grasp of four arms makes one being of you, a being unutterably happy, two beings infatuated with one another.
M. Saval was sitting before the fire, his feet on the fender, in his dressing gown. Assuredly his life had been spoiled, completely spoiled. He had, however, loved. He had loved secretly, sadly, and indifferently, in a manner characteristic of him in everything. Yes, he had loved his old friend, Madame Sandres, the wife of his old companion, Sandres. Ah! if he had known her as a young girl! But he had met her too late; she was already married. Unquestionably, he would have asked her hand! How he had loved her, nevertheless, without respite, since the first day he set eyes on her!
He recalled his emotion every time he saw her, his grief on leaving her, the many nights that he could not sleep, because he was thinking of her.
On rising in the morning he was somewhat more rational than on the previous evening.
Why?
How pretty she was formerly, so dainty, with fair curly hair, and always laughing. Sandres was not the man she should have chosen. She was now fifty-two years of age. She seemed happy. Ah! if she had only loved him in days gone by; yes, if she had only loved him! And why should she not have loved him, he, Saval, seeing that he loved her so much, yes, she, Madame Sandres!
If only she could have guessed. Had she not guessed anything, seen anything, comprehended anything? What would she have thought? If he had spoken, what would she have answered?
And Saval asked himself a thousand other things. He reviewed his whole life, seeking to recall a multitude of details.
He recalled all the long evenings spent at the house of Sandres, when the latter's wife was young, and so charming.
He recalled many things that she had said to him, the intonations of her voice, the little significant smiles that meant so much.
He recalled their walks, the three of them together, along the banks of the Seine, their luncheon on the grass on Sundays, for Sandres was employed at the sub-prefecture. And all at once the distinct recollection came to him of an afternoon spent with her in a little wood on the banks of the river.
They had set out in the morning, carrying their provisions in baskets. It was a bright spring morning, one of those days which intoxicate one. Everything smells fresh, everything seems happy. The voices of the birds sound more joyous, and-they fly more swiftly. They had luncheon on the grass, under the willow trees, quite close to the water, which glittered in the sun's rays. The air was balmy, charged with the odors of fresh vegetation; they drank it in with delight. How pleasant everything was on that day!
After lunch, Sandres went to sleep on the broad of his back. "The best nap he had in his life," said he, when he woke up.
Madame Sandres had taken the arm of Saval, and they started to walk along the river bank.
She leaned tenderly on his arm. She laughed and said to him: "I am intoxicated, my friend, I am quite intoxicated." He looked at her, his heart going pit-a-pat. He felt himself grow pale, fearful that he might have looked too boldly at her, and that the trembling of his hand had revealed his passion.
She had made a wreath of wild flowers and water-lilies, and she asked him: "Do I look pretty like that?"
As he did not answer--for he could find nothing to say, he would have liked to go down on his knees--she burst out laughing, a sort of annoyed, displeased laugh, as she said: "Great goose, what ails you? You might at least say something."
He felt like crying, but could not even yet find a word to say.
All these things came back to him now, as vividly as on the day when they took place. Why had she said this to him, "Great goose, what ails you? You might at least say something!"
And he recalled how tenderly she had leaned on his arm. And in passing under a shady tree he had felt her ear brushing his cheek, and he had moved his head abruptly, lest she should suppose he was too familiar.
When he had said to her: "Is it not time to return?" she darted a singular look at him. "Certainly," she said, "certainly," regarding him at the same time in a curious manner. He had not thought of it at the time, but now the whole thing appeared to him quite plain.
"Just as you like, my friend. If you are tired let us go back."
And he had answered: "I am not fatigued; but Sandres may be awake now."
And she had said: "If you are afraid of my husband's being awake, that is another thing. Let us return."
On their way back she remained silent, and leaned no longer on his arm. Why?
At that time it had never occurred to him, to ask himself "why." Now he seemed to apprehend something that he had not then understood.
Could it?
M. Saval felt himself blush, and he got up at a bound, as if he were thirty years younger and had heard Madame Sandres say, "I love you."
Was it possible? That idea which had just entered his mind tortured him. Was it possible that he had not seen, had not guessed?
Oh! if that were true, if he had let this opportunity of happiness pass without taking advantage of it!
He said to himself : "I must know. I cannot remain in this state of doubt. I must know!" He thought: "I am sixty-two years of age, she is fifty-eight; I may ask her that now without giving offense."
He started out.
The Sandres' house was situated on the other side of the street, almost directly opposite his own. He went across and knocked at the door, and a little servant opened it.
"You here at this hour, Saval! Has some accident happened to you?"
"No, my girl," he replied; "but go and tell your mistress that I want to speak to her at once."
"The fact is madame is preserving pears for the winter, and she is in the preserving room. She is not dressed, you understand."
"Yes, but go and tell her that I wish to see her on a very important matter."
The little servant went away, and Saval began to walk, with long, nervous strides, up and down the drawing-room. He did not feel in the least embarrassed, however. Oh! he was merely going to ask her something, as he would have asked her about some cooking recipe. He was sixty-two years of age!
The door opened and madame appeared. She was now a large woman, fat and round, with full cheeks and a sonorous laugh. She walked with her arms away from her sides and her sleeves tucked up, her bare arms all covered with fruit juice. She asked anxiously:
"What is the matter with you, my friend? You are not ill, are you?"
"No, my dear friend; but I wish to ask you one thing, which to me is of the first importance, something which is torturing my heart, and I want you to promise that you will answer me frankly."
She laughed, "I am always frank. Say on."
"Well, then. I have loved you from the first day I ever saw you. Can you have any doubt of this?"
She responded, laughing, with something of her former tone of voice.
"Great goose! what ails you? I knew it from the very first day!"
Saval began to tremble. He stammered out: "You knew it? Then . . ."
He stopped.
She asked:
"Then?
He answered:
"Then--what did you think? What--what--what would you have answered?"
She broke into a peal of laughter. Some of the juice ran off the tips of her fingers on to the carpet.
"What?"
"I? Why, you did not ask me anything. It was not for me to declare myself!"
He then advanced a step toward her.
"Tell me--tell me . . . . You remember the day when Sandres went to sleep on the grass after lunch . . . when we had walked together as far as the bend of the river, below . . ."
He waited, expectantly. She had ceased to laugh, and looked at him, straight in the eyes.
"Yes, certainly, I remember it."
He answered, trembling all over:
"Well--that day--if I had been--if I had been--venturesome--what would you have done?"
She began to laugh as only a happy woman can laugh, who has nothing to regret, and responded frankly, in a clear voice tinged with irony:
"I would have yielded, my friend."
She then turned on her heels and went back to her jam-making.
Saval rushed into the street, cast down, as though he had met with some disaster. He walked with giant strides through the rain, straight on, until he reached the river bank, without thinking where he was going. He then turned to the right and followed the river. He walked a long time, as if urged on by some instinct. His clothes were running with water, his hat was out of shape, as soft as a rag, and dripping like a roof. He walked on, straight in front of him. At last, he came to the place where they had lunched on that day so long ago, the recollection of which tortured his heart. He sat down under the leafless trees, and wept.
I'm ruining that place ....
I miss breathing there ...
I miss with all the memories that ever happened there ...
i miss with all about it ...
if only there was a moment for me to turn ...
I loose about the longing that happened ...
but no matter when it was there ....
but i'm sure god gave me time ...
I'm sure god hears me ...
if I come back later ...
I want to do what I'm thinking right now ...
I want to take an object that concerns about it ...
I did not miss a thing as small as I missed ...
My hometown .... I miss you ... I miss the moment when there ...
wait for a friend, wait for everyone I love there ...
wait for the village ... wait for my past ...
I'm going home ... but I do not know when ...
surely i will go home ....
bringing happiness news ...
In Ancient times, There lived many Gods and Goddesses. Sol was one of the powerful Gods. He was kind, Good, and always helps one in need. Because of his will of justice, all the Gods agrees so that Sol will be crowned as the king of the Galaxy, Andromedia. But, Since then all the Gods and all the Goddesses dislikes him. But they do have a reason for this.
One day, when Sirius the brightest amongst the Gods was inviting many to come to his party. The banquet was so big that all the Gods can be served satisfactingly. But… when everyone was chatting, laughing and drinking, Sol suddenly showed up and ruined everything. On many other days too. He would annoy the Goddesses when they are doing their duties. Even when they bathe in the springs. The Gods do acknowledge his skills in wars and such, but having him as a troublemaker, was worse than anything.
The worst one was when he tried to steal Aldabaron’s horn. So that the universe shall bow down to him. This made the Gods wrath raises upon him. They couldn’t take it anymore. They cant riak to be fooled by one of his tricks again. So all the war Gods like Vega, Debeb, Alpha, Arcturus and many more, they gather, they unite. Planning to capture Sol and imprison him in a black hole. A black hole was so strong even light itself could not escape. They fought, they fought with all their stregth and might. But still. Sol was undefeatable. This made the Gods even angrier at him. The Gods went to Metis. The wisest amongst the Goddesses.“He cant be left alone like this. He will bring more problems in the future!” Said Vega.
“Cant you just drag him into a blackhole over the edge?!” said Arcturus.
Metis stood up from her throne. And said “Sol, actions have consequences. Now that all the Gods and Goddesses hates your wrong doings, thou you shall be exiled from here” by the time Metis finished her sentence, Sol vanished. From Andromedia to Milky Way. Becoming the Sun. And the other Gods were the stars. But they will never meet each other again. Even tho they share the same sky. For the sun shines at Day. For the stars shines at night
Bob Marley – Three Little Birds
"Don't worry about a thing,
'Cause every little thing gonna be all right.
Singin': "Don't worry about a thing,
'Cause every little thing gonna be all right!"
Rise up this mornin',
Smiled with the risin' sun,
Three little birds
Pitch by my doorstep
Singin' sweet songs
Of melodies pure and true,
Sayin', ("This is my message to you-ou-ou:")
Singin': "Don't worry 'bout a thing,
'Cause every little thing gonna be all right."
Singin': "Don't worry (don't worry) 'bout a thing,
'Cause every little thing gonna be all right!"
Rise up this mornin',
Smiled with the risin' sun,
Three little birds
Pitch by my doorstep
Singin' sweet songs
Of melodies pure and true,
Sayin', "This is my message to you-ou-ou:"
Singin': "Don't worry about a thing, worry about a thing, oh!
Every little thing gonna be all right. Don't worry!"
Singin': "Don't worry about a thing" - I won't worry!
"'Cause every little thing gonna be all right."
Singin': "Don't worry about a thing,
'Cause every little thing gonna be all right" - I won't worry!
Singin': "Don't worry about a thing,
'Cause every little thing gonna be all right."
Singin': "Don't worry about a thing, oh no!
'Cause every little thing gonna be all right!
Bob Marley Lyrics
One Love! One Heart!
Let's get together and feel all right
Hear the children cryin' (One Love!)
Hear the children cryin' (One Heart!)
Sayin': give thanks and praise to the Lord and I will feel all right
Sayin': let's get together and feel all right. Wo wo-wo wo-wo!
Let them all pass all their dirty remarks (One Love!)
There is one question I'd really love to ask (One Heart!)
Is there a place for the hopeless sinner
Who has hurt all mankind just to save his own beliefs?
One Love! What about the one heart? One Heart!
What about - ? Let's get together and feel all right
As it was in the beginning (One Love!)
So shall it be in the end (One Heart!)
All right!
Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right
One more thing!
Let's get together to fight this Holy Armageddon (One Love!)
So when the Man comes there will be no, no doom (One Song!)
Have pity on those whose chances grows thinner
There ain't no hiding place from the Father of Creation
Sayin': "One Love"! What about the One Heart? (One Heart!)
What about the - ? Let's get together and feel all right
I'm pleadin' to mankind! (One Love!)
Oh, Lord! (One Heart) Wo-ooh!
Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right
Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right
Let's get together and feel all right
Hear the children cryin' (One Love!)
Hear the children cryin' (One Heart!)
Sayin': give thanks and praise to the Lord and I will feel all right
Sayin': let's get together and feel all right. Wo wo-wo wo-wo!
Let them all pass all their dirty remarks (One Love!)
There is one question I'd really love to ask (One Heart!)
Is there a place for the hopeless sinner
Who has hurt all mankind just to save his own beliefs?
One Love! What about the one heart? One Heart!
What about - ? Let's get together and feel all right
As it was in the beginning (One Love!)
So shall it be in the end (One Heart!)
All right!
Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right
One more thing!
Let's get together to fight this Holy Armageddon (One Love!)
So when the Man comes there will be no, no doom (One Song!)
Have pity on those whose chances grows thinner
There ain't no hiding place from the Father of Creation
Sayin': "One Love"! What about the One Heart? (One Heart!)
What about the - ? Let's get together and feel all right
I'm pleadin' to mankind! (One Love!)
Oh, Lord! (One Heart) Wo-ooh!
Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right
Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right